Francesco Solimena (Italian; 1657–1747)
Aurora Taking Leave of Tithonus
Oil on canvas, 1704
J. Paul Getty Museum, Los Angeles, California

Francesco Solimena (Italian; 1657–1747)
Venus at the Forge of Vulcan
Oil on canvas, 1704
J. Paul Getty Museum, Los Angeles, California

Camille Corot (French; 1796–1875)
Fontainebleau: Oak Trees at Bas-Bréau
Oil on paper, laid down on wood, 1832 or 1833
The Metropolitan Museum of Art, New York

George Overbury “Pop” Hart (American; 1868–1933)
The Matinee
Softground etching and aquatint on paper plate, 1926
Smithsonian American Art Museum, Washington, D.C.

Camille Corot (French; 1796–1875)
The Bridge at Narni
Oil on canvas, 1827
National Gallery of Canada, Ottawa, Ontario, Canada

Fritz Erler (German; 1868-1940)
Der 9te Pfeil, zeichnet Kriegsanleihe = The Nine Arrow, Subscription War Bond
Color lithograph, 1918 (Stuttgart: Echstein & Stähle)
Library of Congress, Prints and Photographs Division, Washington, D.C.

Benjamin West (American; 1738–1820)
Mr. and Mrs. John Custance (A Gentleman and Lady, Painted in Commemoration of Their Marriage) (detail)
Oil on canvas, 1778
The Nelson-Atkins Museum of Art, Kansas City, Missouri

Pierre Charles Trémolières (French; 1703–1739)
Comedy
Oil on canvas, ca. 1736
The Metropolitan Museum of Art, New York

Giovanni Battista Piranesi (Italian; 1720–78)
Tempio di Clitunno = The Temple of Clitunno
from Antichità Romane de’ Tempi della Repubblica = Roman Antiquities from the Era of the Republic and Early Empire
Etching, after 1765
Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio

Jean-Baptiste van Loo (French; 1684–1745)
The Rt. Honorable Stephen Poyntz, of Midgham, Berkshire
Oil on canvas, ca. 1740
Yale Center for British Art, New Haven, Connecticut