John Singer Sargent (American; 1856–1925)
Lady Helen Vincent, Viscountess d’Abernon
Oil on canvas, 1904
Birmingham Museum of Art, Birmingham, Alabama

William Blake (British; 1757–1827)
“The Christian Triumph” (frontispiece to Night IV)
Illustration to Night Thoughts by Edward Young (English; 1683–1765)
Pen and black and grey ink, grey wash and watercolour, some graphite, ca.1795–97
The British Museum, London; © Trustees of the British Museum

Sol LeWitt (American; 1928–2007)
Bands of Color in Various Directions
Vinyl on aluminum, 2001
Fabrication by R. B. Atkins and Associates, Inc.
Birmingham Museum of Art, Birmingham, Alabama; © 2013 The LeWitt Estate / Artists Rights Society (ARS), New York

Johann Peter Pichler (German; 1765–1807) after Heinrich Friedrich Füger(?) (German; 1751–1818)
Portrait of an Aristocrat
Mezzotint, ca. 1790s
The British Museum, London; © Trustees of the British Museum

Thought to be Emmanuel Marie Louis, Marquis de Noailles (1743–1822), the French Ambassador in Vienna, 1783–92

Francesco Solimena (Italian; 1657–1747)
Aurora Taking Leave of Tithonus
Oil on canvas, 1704
J. Paul Getty Museum, Los Angeles, California

Francesco Solimena (Italian; 1657–1747)
Venus at the Forge of Vulcan
Oil on canvas, 1704
J. Paul Getty Museum, Los Angeles, California

Camille Corot (French; 1796–1875)
Fontainebleau: Oak Trees at Bas-Bréau
Oil on paper, laid down on wood, 1832 or 1833
The Metropolitan Museum of Art, New York

George Overbury “Pop” Hart (American; 1868–1933)
The Matinee
Softground etching and aquatint on paper plate, 1926
Smithsonian American Art Museum, Washington, D.C.

Camille Corot (French; 1796–1875)
The Bridge at Narni
Oil on canvas, 1827
National Gallery of Canada, Ottawa, Ontario, Canada

Fritz Erler (German; 1868-1940)
Der 9te Pfeil, zeichnet Kriegsanleihe = The Nine Arrow, Subscription War Bond
Color lithograph, 1918 (Stuttgart: Echstein & Stähle)
Library of Congress, Prints and Photographs Division, Washington, D.C.