John Singer Sargent (American; 1856–1925)Lady Helen Vincent, Viscountess d’AbernonOil on canvas, 1904 Birmingham Museum of Art, Birmingham, Alabama
William Blake (British; 1757–1827)“The Christian Triumph” (frontispiece to Night IV)Illustration to Night Thoughts by Edward Young (English; 1683–1765) Pen and black and grey ink, grey wash and watercolour, some graphite, ca.1795–97 The British Museum, London; © Trustees of the British Museum
Sol LeWitt (American; 1928–2007)Bands of Color in Various Directions Vinyl on aluminum, 2001 Fabrication by R. B. Atkins and Associates, Inc. Birmingham Museum of Art, Birmingham, Alabama; © 2013 The LeWitt Estate / Artists Rights Society (ARS), New York
Johann Peter Pichler (German; 1765–1807) after Heinrich Friedrich Füger(?) (German; 1751–1818)Portrait of an Aristocrat Mezzotint, ca. 1790s The British Museum, London; © Trustees of the British Museum
Thought to be Emmanuel Marie Louis, Marquis de Noailles (1743–1822), the French Ambassador in Vienna, 1783–92
Francesco Solimena (Italian; 1657–1747)Aurora Taking Leave of TithonusOil on canvas, 1704 J. Paul Getty Museum, Los Angeles, California
Francesco Solimena (Italian; 1657–1747)Venus at the Forge of VulcanOil on canvas, 1704 J. Paul Getty Museum, Los Angeles, California
Camille Corot (French; 1796–1875)Fontainebleau: Oak Trees at Bas-Bréau Oil on paper, laid down on wood, 1832 or 1833 The Metropolitan Museum of Art, New York
George Overbury “Pop” Hart (American; 1868–1933)The MatineeSoftground etching and aquatint on paper plate, 1926 Smithsonian American Art Museum, Washington, D.C.
Camille Corot (French; 1796–1875)The Bridge at Narni Oil on canvas, 1827 National Gallery of Canada, Ottawa, Ontario, Canada
Fritz Erler (German; 1868-1940)Der 9te Pfeil, zeichnet Kriegsanleihe = The Nine Arrow, Subscription War Bond Color lithograph, 1918 (Stuttgart: Echstein & Stähle) Library of Congress, Prints and Photographs Division, Washington, D.C.